February 22, 2010

AIGA Alaska Meeting Tonight

Tonight members of AIGA (and those interested in becoming members) are meeting to discuss the future of a local AIGA chapter in Alaska. Meeting will be at Kaladi Brothers Cafe, Downtown Anchorage at 5:30pm.

AIGA, the professional association for design, is the premier place for design—to discover it, discuss it, understand it, appreciate it, be inspired by it.

It is the place designers turn to first to exchange ideas and information, participate in critical analysis, and research and advance education and ethical practices. AIGA sets the national agenda for the role of design in its economic, social, political, cultural and creative contexts.

Founded in 1914, AIGA remains the oldest and largest professional membership organization for design. AIGA now represents more than 20,000 design professionals, educators and students through national activities and local programs developed by 64 chapters and 200 student groups.

Visit the national AIGA website to read more.

February 4, 2010

From my bookshelf

The Big Book of Green Design by Eric Benson is a really great inspirational source for designers working with corporations focusing on sustainable business and organizations with the main purpose of promoting clean energy.

As the book mentions, the paper industry is the third largest air, land and water polluter in America and Canada. It is very clear that designers can have a huge impact on this issue on a daily basis. The design industry is naturally “married” to the printing industry and so therefore we are in a pretty good position to make earth–healthy choices.

I think this book is more like a coffee table book than a reference of “how to”, but it is smackpacked full of current and creative “green” design, which is nice to see.

You can purchase The Big Book of Green Design at Amazon.

The Big Book of Packaging is scheduled for 2011 and you can submit your work to be included in the book. The book will feature the best package designs from around the world. A large section of the book will be devoted to eco-friendly packaging. Submit work to Cresent Hill Books here. Also, The Big Book of Layouts is to come out July 2010.

February 3, 2010

Information is beautiful

Seen that boring yet elaborate graph trying to explain some management tool or a process? Or the pie chart in that PowerPoint presentation where the color combination looked like something a blind person could have put together better? (No offense here).

Well, here’s some extraordinary examples from Designer Daily of what great graphic designers can do with a whole lot of information: Information is beautiful

So, can I help you explain something great in a fun and intriguing way?

February 2, 2010

Color concepts and terminology

Yes, so here it is – part two of color theory for designers from Smashing Magazine. I’m not going to write my own thoughts on this article as it is much more concrete than the first one. Read for yourself: Color Theory For Designers, Part 2: Understanding Concepts And Terminology

You can find my introduction to part 1 here.

February 1, 2010

From my bookshelf

I recently bought this new third edition of “Designing Brand Identity – an essential guide for the whole branding team” by Alina Wheeler. The book goes over the basics, the process and best practices. It’s packed full of current examples and can be used as a “how to” guide, however I think there’s a lot of inspiration for anyone and as the subtitle says, this is good reading for the whole team.

You can buy the book from Amazon here

Happy reading!

January 28, 2010

It is not the form that dictates the color, but the color that brings out the form.

Colors have a big impact on people. Look around you. Countless of color theory experiments have been made through time. For example this simple test done with school kids: The scientists had two groups of children wearing outdoor jackets. One group of kids were lead into a room painted a cool blue and the other group in a red room. Every single time this test was done, the “red group” would start taking off their jackets and then play, while the “blue group” would start playing, but keep their jackets on. Of course, both of these rooms had the same temperature.

Heritage and culture also plays an enormous role in the way we perceive different colors. A personal example would be that in Denmark the color yellow is without a doubt a “discount” color when it comes to retail and shopping. Pretty much every single store having a sale will display a yellow sale sign, so it would be completely unheard of to for example create a high-end food chain identity using yellow as the primary color.

It’s out of the questions to design a product line without producing three to five different color versions. This is simply because people are attracted to different colors and to reach a broader audience …yes, you create a shampoo and make three different packaging choices based on the fragrance.

I always pick the green one. If it’s green, I’ll buy it.

Smashing Magazine has a great article on color and the meaning of color. Go ahead, read it. Color Theory for Designers, Part 1: The Meaning of Color

January 27, 2010

Backup is key for secure digital lifestyle

My laptop is stolen or ends up with a 12oz latte spilled on it – and I loose everything? Not going to happen!

Today I received a new addition to my digital fleet, a 500GB Lacie Rugged All-Terrain Hard Disk (pictured above in orange). It will be replacing an old Rocstor Hard Disk, which is 5+ years old and really close to being full.

I really like the size of this new Lacie. It’s twice as thick as an iPhone, but just about the same width and height.

One of the first things I invested in when I went freelance was an online backup subscription with MozyPro. I basically have the backup running automatically during the night and if worst case scenario happens and I for some reason loose my computer and hard disk, I can download everything from MozyPro. There is no way I’m going to risk loosing either my work, family photos or music.

No need to knock on wood, throw salt over my shoulder or cross my fingers.

January 26, 2010

Branding and identity standards …and other buzz words we use all the time…

It’s smart to have examples included, so I chose probably the most successful branding campaign developed and executed within the past couple of years – even though this isn’t exactly news. Regardless of political standpoint, it is clear which of the above designs work best.

You can watch a very interesting interview from Sol Sender describing the process they went through when designing the Obama ’08 campaign identity. It’s interesting to note that Sol had never worked on a political logo before, but in my humble opinion I’d say it doesn’t matter as the process essentially is the same regardless of whether you’re working on a political campaign or “regular” corporate identity design.

Identity design should be based on strategy. Period.

We, as designers, have to involve and include upper management and their business strategy when designing corporate identity systems. This is how design becomes meaningful and not just decorations. It’s simply our responsibility.

Most designers can make things look pretty, but it takes determination, patience and a lot of preparation to build a meaningful brand platform, design a corporate identity that makes sense and then finally to implement it and roll it out.

If we all would start by referring to the corporate identity process using the same words AND have the same understanding of what they mean, it would simply be brilliant and we would ultimately heighten the level of design and communication in Alaska. This is one of many goals I’d like to achieve with the effort of starting a local AIGA chapter. AIGA is the American Institute of Graphic Design mentioned several times in previous posts.

Hopefully, in the future we will see less attempts to include an eagle, a mountain, a moose and a sunrise – oh, and the Alaska flag of course – all in the same logo, which is often the result of a client not understanding the value of great design …and possibly a designer not understanding it either.

If you’re still reading this (I like you a lot) chances are that you will get a great deal out of getting into this website from Tony Spaeth: Identity Works – I know I did. This is truly a great place to start.